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Ebba Tove Elsa Nilsson, known professionally as Tove Lo, is a Swedish singer, songwriter, and actress. She is well-known for her raw, grunge-influenced pop music. Her honest, complex, and autobiographical lyrical content has earned her the moniker "the saddest girl in Sweden". Ebba Tove Elsa…

Noga Erez‘s inventive set kicked off the night with songs including “End of the Road,” and her most recent single “Nails.” Her genre-bending sound with hints of Billie Eilish had the crowd captivated and the room electrified before Tove Lo’s set. 

The sensual songstress began her set with “Bikini Porn.” Illuminated by the glow of a neon vagina light, Tove Lo performed crowd favorites including “Glad He’s Gone.” 

Her 2014 single, “Talking Body” got a remix complete with a dance break and a quick change into the armored bodysuit from her music video for “No One Dies From Love.” 

Tove Lo slowed things down for “9th of October,” a song that reflects on what could have been. “All right, I’m done being sad. Let’s move on to rage,” she called out to the crowd. 

The rest of her set was filled with songs including “Too Long,” featured on the HBO’s original series

Lo performed many songs off her latest album, including upbeat tracks “Lady Wood” and “Influence” as well as her more emotional songs “Imaginary Friend” and “Flashes.”

Lo also performed songs off her last album including “Talking Body,” “Moments,” “Got Love,” and “Not On Drugs.”

The performance ended with Lo singing her hit song “Habits (Stay High)” while wearing a disco ball-like jacket. Fans chanted the lyrics and clapped along while the pop star sung her heart out.

Tove Lo performs "Talking Body" on Late Night with Seth Meyers.

Other famous cat women may have perfected the slink but neglected the stinging scratch that so defines Tove Lo’s night vision song stories. She exudes the natural beauty of Michelle Pfeiffer, inflicts the girl-next-door coyness of Anne Hathaway, conjures the same irresistible urge to dance as Janet Jackson’s “Black Cat”, and is, in truth, some divine, otherworldly combination of Pussy Galore and Pussy Riot. Tove Lo initially came to mass public acclaim in 2014 when “Habits (Stay High)” off her debut record first showcased to the world her singular ability to write sexpert lyrics that somehow retain a butterfly innocence, redolent with childlike optimism cast in frisky recreation. The performative sexuality here, so refreshingly grimy and unflinchingly honest, does not simulate danger; it rave-dances on it. As a woman, Tove Lo is what Camille Paglia’s brand of feminism has always called for – a full-throated reclamation of the sacred wild, but with the emotional trappings of a love-drunk little girl irretrievably lost in Cupid’s candy shop – which is, perhaps not ironically, where all the real danger shifts its scales in the dark. The brilliance of Tove Lo rests in her talent for capturing every serpentine slide without compromising all the femme sugar, and simultaneously providing an unapologetic and deliciously brutal face-kick (with cleats) to traditional ideas of femininity.